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Blessings, by Anna Quindlen
PDF Download Blessings, by Anna Quindlen
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Amazon.com Review
The plot of Anna Quindlen's novel Blessings is constructed on the same model as E.T.: adorable orphaned creature is found by unlikely caregiver who against his or her better judgment falls in love with the little beast, while all the while, the authorities loom in the background, threatening to take the foundling away. In Quindlen's book, however, the foundling in question isn't an alien, but a squalling baby left at Blessings, a vast estate owned by an ancient, crabby matriarch named Lydia Blessing. By a fluke, the baby's parents abandon her by the garage rather than at the front door, and so she is discovered by Skip Cuddy, Lydia Blessing's newly hired handyman, who happens to be an ex-con. The plot proceeds from there in fairly E.T.-like fashion, minus the Reese's Pieces and flying bicycles. Skip, Lydia, and the baby they name Faith form a surprisingly loving and sustaining, albeit temporary, family unit. Quindlen wrings a remarkable amount of pathos from this somewhat simple setup. One of her strengths as a writer is the quietness she brings to her story; family secrets of paternity and lost love are buried deep in the narrative, hidden in descriptive paragraphs where they subtly zing us with their news. Her ear is good, too: we believe Skip and his bad-boy friends when they're shooting the breeze. Best of all is her flair for observation. The book wouldn't work at all if she couldn't make us feel Skip and Lydia's amazement at the small joys of a baby ("The deep pleat in the fat at her elbow made her arms look muscled"). Here is a book that lives up to its title. --Claire Dederer
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From Publishers Weekly
Venturing into fictional territory far from the blue-collar neighborhoods of Black and Blue and other works, Quindlen's immensely appealing new novel is a study in social contrasts and of characters whose differences are redeemed by the transformative power of love. The eponymous Blessings is a stately house now gone to seed, inhabited by Mrs. Blessing, an 80-year-old wealthy semirecluse with an acerbic tongue and a reputation for hanging on to every nickel. Widowed during WWII, Lydia Blessing was banished to her socially prominent family's country estate for reasons that are revealed only gradually. Austere, unbending and joyless, Lydia has no idea, when she hires young Skip Cuddy as her handyman, how her life and his are about to change. Skip had promise once, but bad companions and an absence of parental guidance have led to a stint in the county jail. When Skip stumbles upon a newborn baby girl who's been abandoned at Blessings, he suddenly has a purpose in life. With tender devotion, he cares secretly for the baby for four months, in the process forming a bond with Mrs. Blessing, who discovers and admires his clandestine parenting skills. A double betrayal destroys their idyll. As usual, Quindlen's fine-tuned ear for the class distinctions of speech results in convincing dialogue. Evoking a bygone patrician world, she endows Blessings with an almost magical aura. While it skirts sentimentality by a hairbreadth, the narrative is old-fashioned in a positive way, telling a dramatic story through characters who develop and change, and testifying to the triumph of human decency when love is permitted to grow and flourish.Copyright 2002 Reed Business Information, Inc.
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Product details
Hardcover: 240 pages
Publisher: Random House; 1 edition (September 17, 2002)
Language: English
ISBN-10: 0375502238
ISBN-13: 978-0375502231
Product Dimensions:
6.4 x 1 x 9.5 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
299 customer reviews
Amazon Best Sellers Rank:
#115,960 in Books (See Top 100 in Books)
This is a review of Blessings by Belva Plain. In glancing through other reader reviews, most of them appear to be about a book with the same title written by Anna Quindlan. The book begins with Jennie Rakowsky and Jay Wolfe are going to be married. He is an attorney, a widower with three small children. She is also an attorney defending and helping abused women and children. Jay Wolfe comes from a traditional upper class family with very definite standards. Jennie was raised by poor parents, holocaust survivors who immigrated to the USA.Jennie has been convinced by Jay and his parents to defend the Green Marsh a natural wet land and lake near where Jay's parents live, against developers who want to build condominiums and the land.When Jennie was 17 going to college she met Peter Mendes, 18, whose parents are very traditional wealthy, stiff-necked, people, snobs. Jennie and Peter fall in love and she becomes pregnant. She ends up at a home for unwed mothers and gives their daughter up for adoption.Jennie has not told Jay or his parents about her daughter, Jill Miller, 19, who appears unexpectedly at her door wanting to get to know her mother and father. Jennie is terrified and does not want to have anything to do with Jill. Jill's father also shows up.Jay finds out about Jill, Peter, and the relationship with Jennie breaks up. Jay feels he cannot trust Jennie because of her hidden past.This is a very entertaining story, which I rate along with Daybreak and Whispers, also written by Belva Plain. It is a keeper and I highly recommend it.
This is one of the best books I've read in a while. I have a fairly high standard -- after all, what could possibly beat "To Kill a Mockingbird"? Blessings is full of wonderful, complex characters yet retains a soft edge.
After a few starts and stops, I finally gave my full attention to Anna Quindlen's Blessings and was determined to finish. Although the beginning failed to hook me, once I reached the meat of the story, there was no turning back. A story of an elderly woman, a convicted felon, and an aspiring young doctor whose lives all come together as a result of the unexpected appearance of a child.The setting of the novel, Blessings, a rural family retreat, is not only idyllic in location, but also a domicile of familial dysfunction, both past and present. Through careful unveiling, Quindlen highlights the tragedy associated with truths withheld over generations.What was refreshing was the life, revitalization, and perspective of the female protagonist, Lydia. While philosophizing about life itself, she explains the tragedy of young death, the shock of middle-age death, and the inevitability of elderly death, how herstory, in essence, revolves around the loss of others. In addition, kudos to Quindlen for allowing the younger male and female in the novel to have meaningful interaction without the presence of romance.For the purposes of book club, a picnic lunch near a creek much like Lydia shared with Benny and Sunny as adolescents complete with bacon sandwiches, peanut butter cookies, and a big Ball jar of lemonade may be the perfect conversation starter.
This is such a beautiful story. I could not put this book down so I stayed up and read it from cover to cover.The story begins with a baby being abandoned late one night by a teenage girl and the father of the baby. The baby is dressed in a flannel shirt with a hair clip on its umbilical cord and left by the garage in a cardboard box.The box is then found by Skip, a house hand. Skip has never been around children much less a baby. He takes the newborn in as his own and the story begins. He becomes attached to the baby and raises it as his own... all the while keeping it a secret. We are then swept along as Skip learns to care for the baby and ends up dedicating his life to the baby. (I don't want to give up to much information on the baby.)The name of the estate where the baby is left is called "Blessings" ... owned by an eighty-year-old wealthy woman named Lydia Blessings. As the story continues we learn the secrets of Lydia Blessings and her family ... AND, there are many secrets! The characters are richly written ... you will find yourself bonding with many of them as you learn their secrets. BUT, be prepared for some tears ... keep the Kleenex close at hand.There are many "BLESSINGS" in this story. You will not be disappointed with this novel. It is a must read.
After "Black and Blue" and "One True Thing," Anna Quindlen overcame the naysayers and proved she was a first rate novelist.I so wantred to like this one, but she has simply missed the mark. If she wants to be the Margaret Atwood (or even the Carol Sheilds) of New Jersey, then she is going to have to explore characters more deeply than she has done here. A ne'er do well guy transformed into Alan Alda and an ice queen dowager turned into a Christ figure -- all over a deserted a baby in a box -- just doesn't get it. I felt obligated to finish this novel, only in hopes it would suddenly kick in. It never did. Perhaps this is what the father in "One True Thing" had put together, but instead drank himself out of writing. While there are flashes of brilliance, turns of phrases, and insights, the cohesiveness and inspiration of her first two novels is missing here. She does display an array of descriptions of the sounds bugs make, but to what end, I do not know. Beyond that this is either a lazy effort, or writer's block, or perhaps some contractual obligation to get something out there.Anna Quindlen has a lot of years and a lot of skill, and for me she is hitting .667, being successful two times out of three. That she struck out here does not mean she will not get back on track. I will buy and read her next book, but she needs to raise her game.
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