Download Ebook The Function of Ornament: Second Printing
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The Function of Ornament: Second Printing
Download Ebook The Function of Ornament: Second Printing
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Product Description
Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects. This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time.
About the Author
Farshid Moussavi is an internationally acclaimed architect and Professor in Practice of Architecture at Harvard University Graduate School of Design. She was previously co-founder of the London-based Foreign Office Architects (FOA). Moussavi has completed her first U.S. commission, the Museum of Contemporary Art in Cleveland (2012), its installation at the 13th Architecture Biennale in Venice (2012), and The Victoria Beckham Flagship Store in London (2014), and she is currently working on a wide range of prestigious international projects including residential complexes in the La Défense district of Paris and in Montpellier, as well as a department store in Paris, France; and an office complex in the City of London, UK.
This is not a technical manual as a couple reviewers seems to wish, nor a survey of ornament in architecture. Nor does it ever claim to be such--reviewers should review a book not wish it was a different book. Instead it represents the results of graduate level research at Harvard Graduate School of Design into a revitalized understanding of the role of ornament in architecture and how one employs technical and material means to produce architecture effects and phenomena. As such the book is extremely clear, useful and elegantly designed and thoughtfully organized. Great for students and professional who want to think.
I purchased this book after a fellow colleague recommended it to me and I must say it's become one of my favorite books because of its explicit and clear way of explaining the concepts of the buildings selected. All architecture books should be written this way. Farshid did a great job of validating her standpoint of ornament... A concept that has been re-defined in this book.
There isn't any perceived function of ornament..Basically the only function is "EFFECT" and that's what the whole book pretty much talks aboutvery nice drawings though and diagrams.But the thesis is a bit meh..or rather just not very profound.A person who should write a book like this is either REM or Bjarke Ingels
Beautiful and useful; as a Professor of Architecture I will be recommending this volume to all of my students.
An amazing book showing details on how to make several ornaments on your building with up-to-date examples.Don't expect a theory novel, but a graphic and schematic summation of different design possibilities for ornamenting buildings.
The title suggests that this book is about architectural ornament, but it really covers only an extremely limited, and not particularly interesting, part of that rich topic.
I guess, to me at least, the title of the book is bit misleading,it should be "how to make an interesting building skins"Because this book provides ample examples of great building skins ofcontemporary (some past) architecture.Graphics, analysis, and categorization are the 3 strong points of the book.Each example is analyzed in the order of following:1. elements (typically material)2. key design concept3. organization and assembly of key building skin4. overall effectFor example, for Laban Dance Center by Herzog de Meuron, three differentcolors and glasses are introduced, how they are used according to the programinside, how the glasses are put together as double-layer enclosure, andthe daytime/ nighttime effects are analyzed.The book speaks with graphics, limiting the number of words used.The graphics were painstakingly achieved. Really delivering the messageclearly and concisely. Hence, essence of the project concept is easilygraspable, yet, at the same time, being graphics, it leaves room forsubjective interpretation.
In this graphic guide to building ornamentation in the twentieth century, Moussavi and Kubo have collected an interesting cross-section of architectural projects that demonstrate the mechanisms through which contemporary architecture connects itself to current culture.Through the selected case study projects, the editors endeavor to illustrate the means through which ornamentation is the very essence of the building. Not being merely 'ornamental' and self-indulgent, the articulation presented is indeed the agent of the architect's ideas.Various materials and effects are investigated ranging from 'dematerialized light' to 'relief patterns'. The impressive array of diagrams are extremely clear and useful. A typical system is defined through perspective views, sections, pattern diagrams, detailed assembly drawings and relevant notes.If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further.
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